A Statement by the Moderator
of Metropolitan Community
Churches
by The
Reverend Nancy L. Wilson
Office of the MCC
Moderator
CORRECTING THE RECORD:
A
Response To Bill Gaither's Comments About
Openly-Lesbian Christian Songwriter
and Musician Marsha Stevens
May 26, 2006
In early May, Gospel Music leader Bill Gaither,
whose hymns appear in many church hymnals and whose concerts draw tens of
thousands of concertgoers, distributed a public statement about Christian
songwriter and musician Marsha Stevens-Pino.
Marsha is an open
lesbian described as "the mother of contemporary Christian music" by the
Encyclopedia of Contemporary Christian Music, and a long-time
member of Metropolitan Community Churches.
Marsha, who has faithfully
devoted her life to ministering to lesbians, gays, bisexuals and transgender
(LGBT) persons, has been called "Conservative Christianity's worst nightmare - a
Jesus-loving, Bible-believing, God-fearing lesbian Christian," by
Christian Century magazine.
Gaither's recent press release
was intended to diffuse controversy over public statements he made before 15,000
concertgoers in Phoenix, Arizona in 2002. In his press statement, Gaither
accuses Marsha Stevens-Pino of "misrepresentation" and describes Marsha's life
as a "sad story."
I am taking the extraordinary step of issuing a public
statement on this matter, and am doing so for two reasons:
First, many
hurtful and false things are often said about gay and lesbian people of faith.
And most often, we let them go. But there are some things we ought not to let
go. Because Bill Gaither's statement publicly attacks a lesbian of deep
integrity and spiritual faith, I must correct the misleading impressions in his
statement.
Second, there may be many young LGBT youth, as well as
straight youth, who look up to Bill Gaither and who will believe what he says
about Marsha Stevens, in particular, or about LGBT people, in general They may
be struggling with issues around spirituality and sexuality. They need to hear
from us and they deserve to know the truth.
Some background information
may be helpful.
The following facts are not in dispute: Marsha
attended a Gaither concert in Phoenix, Arizona on New Year's Eve of 2002. She
and her partner were invited backstage to meet Bill Gaither prior to the
concert, and a photo was taken. During the concert, Gaither publicly recognized
Marsha from the stage and referenced a song, "For Those Tears I
Died," that Marsha had written. He sang Marsha's song from the stage
during the concert and the 15,000 concertgoers who were present sang along as
Marsha's song was the concert's final song, and as 2002 turned into
2003.
Here's what is in dispute: During his public comments before
15,000 people, Gaither, a conservative Christian, made statements that many
interpreted as supportive and affirming of gay and lesbian people of faith.
Those comments sparked a controversy among conservative, fundamentalist, and
evangelical Christians. Gaither now claims that his comments were not directed
to Marsha as an openly lesbian Christian -- but rather, were general comments
made to his audience and which have been taken out of
context.
Regrettably, in his current efforts to distance himself from his
own public statements, Gaither's press response contains what I believe to be
four specific misleading or erroneous statements.
As Christians, we
stand by the teachings of Jesus, who taught in Matthew 18:15, "If a fellow
believer hurts you, go and tell that person, and work it out between the two of
you. If that person listens, you've made a friend." Marsha has written directly
to Bill Gaither and asked for such a meeting in accordance with biblical
guidelines. It is our prayer that such a meeting will take place and that this
controversy will be resolved amicably between them.
Because Marsha has
devoted her life and ministry to the LGBT community, and because her ministry
has been an outreach of Metropolitan Community Churches for more than 20 years,
and because Bill Gaither's statements about Marsha were made publicly, I believe
it is appropriate to correct the public record.
1. Gaither
claims that Marsha "misrepresented and misused" a visit to a Gaither Concert in
Phoenix Arizona.
This statement is not correct and contains no supporting
evidence to back up this claim. A review of the video of the concert very
clearly confirms Marsha's version of these events and her representation of what
took place at the concert.
2. Gaither claims that
"someone snapped a photograph of the four of us, a picture Marsha has exploited
on her Web site ever since."
This statement is misleading; at the very
least it leaves the impression that a photograph was unwittingly made of their
meeting. Even a cursory look at the photograph clearly shows that Gaither, a
well-known public figure, posed for the photo. Make up your own mind by viewing
the photo on-line at http://www.mccchurch.org/mediaroom/2006/MCCNews/stevenspinogaitherlowry2002.jpg.
3. Gaither's
recollection of the event leaves out a crucial fact: His press statement makes
it appear that he addressed general comments about God's acceptance to the
audience. In fact, he clearly addressed his comments directly to
Marsha.
Gaither's press
statement describes his public comments from the concert stage this
way:
"Gloria and I were celebrating our 40th anniversary that
night and we sang a number of songs that had been special to us over the years,
including, "For Those Tears I Died." I mentioned, from the platform, that the
woman who wrote that song "is here tonight." I then said that I love that song
because someone "may have seen a grownup with a Jesus that
maybe is pushing you away, that wouldn't let you in. And you were never good
enough. The only Christ I know is the Christ in that song, with His arms out
very wide, saying, ‘come to the water.’ That’s the only Christ I know-- come as
you are."
However, the statement is misleading. A review of a video
of the concert clearly shows that Gaither actually addressed his remarks, not to
"someone" -- but directly to Marsha by saying:
"But we sang a
song by a young lady who’s here tonight, Marsha Stevens…and Marsha, we
have sung that song all over the country and I love it because you may
have seen and grown up with a Jesus that maybe was pushing you away, that
wouldn't let you in, and you were never good enough. The only Christ I know
is the Christ in that song, with his arms out very wide, saying, ‘come to the
water.’ That’s the only Christ I know. Come as you are." [At this point the
audience breaks into strong applause.]
This is really the
heart of the controversy: His actual statement was made directly to Marsha and
spoke of how Jesus Christ loves and accepts Marsha, who is an open lesbian --
his recent press statement makes it appear that he spoke a general message to
the entire audience.
4. Gaither's press statement, speaking of
Marsha Stevens-Pino, claims, "Her story is a sad one."
Nothing could
be further from the truth. I have known Marsha for more than 20 years. Hers is a
vibrant life that overflows with God's love and God's blessing.
Marsha's
life continues to be a remarkable testimony to God's unconditional love for all
people, including lesbians, gays, bisexuals, and transgender persons. Her life,
her music, and her ministry have brought spiritual faith and hope to untold
thousands of LGBT people. There is nothing sad about that -- rather, hers is a
joyous story of God's grace and peace.
I am mindful of God's words in
Acts 10:15, "What God has pronounced clean, do not profane by calling unhallowed
or unclean."
This is the truth of Marsha's story:
At the
age of 16, as a member of Children of the Day, one of the earliest contemporary
Christian music groups, Marsha wrote, "For Those Tears I Died," a
hymn that continues to bless lives and which is sung in churches around
the world. After years of prayer and study, Marsha came to know that truth that
God had created her as a lesbian and loved her unconditionally in Christ. She
found a new place of service and ministry in Metropolitan Community
Churches.
Marsha served on MCC's Elders' Task Force on
Evangelism and, in 1993, went into full-time music ministry to the LGBT
community. I have been honored to serve as one of her mentors, along with
Rev. Elder Jeri Ann Harvey and Rev. Elder Freda Smith. For many years, Marsha
ministered more that 150 times a year in churches around the world. She has
recorded her own albums of Gospel music and her BALM (Born Again Lesbian Music)
Ministries have produced two CD's of emerging LGBT artists. In 2002, she and her
wife, Cindy Stevens-Pino, began upBeat!, the first-ever music
ministry training program for LGBT Christian artists.
Marsha
and Cindy continue to travel and minister God's love in churches and concerts,
from 50-75 times each year. In both 2001 and 2005, Marsha was honored with
Pioneer Awards in spiritual music from GLAMA (Gay and Lesbian American
Music Awards) and from OutMusic. Within Metropolitan Community Churches,
she was the first lay recipient of the Purple Grass Award for excellence in
evangelism.
I am pleased to provide this testimony to Marsha's
ministry, and to her integrity and spiritual commitment. In the spirit of
understanding, I encourage Bill Gaither to retract misleading statements
made about Marsha Stevens-Pino, and further urge that he accept Marsha's
invitation to meet in person in accordance with biblical
guidelines.
/signed/
The Reverend Nancy L. Wilson
MCC
Moderator
_______________________________________________________
BELOW
IS THE EARLIER
PUBLIC STATEMENT ISSUED BY BILL GAITHER:
Thursday
May 4 2006 - 4:17 PM ET
Bill Gaither Issues Statement Regarding
Misrepresentation
by Bill Gaither
ALEXANDRIA, IN
(Press Release) - Apparently, a visit by Marsha Stevens to a Gaither Homecoming
concert in 2002 is being misrepresented and misused by her and others. Marsha
Stevens is an outspoken lesbian singer-songwriter who operates an organization
called Born Again Lesbian Music (BALM Ministries). Her story is a sad
one.
In 1969, as the 16 year-old leader of what many consider to be the
first contemporary Christian music group, Children of the Day, Marsha wrote “For
Those Tears I Died,” which quickly became one of the most popular songs of the
so-called Jesus Movement. Featured on Maranatha’s “The Everlastin’ Living Jesus
Music Concert” album, her song became one of the best known Christian folk songs
of the decade.
Gloria and I, along with hundreds of churches around the
country have sung that song for years. Unfortunately, in more recent years
Marsha publicly declared herself to be lesbian and took her music and work in a
very different direction from where it started.
In December 2002, we had
a Gaither Homecoming concert in Phoenix, where someone told us she was in
attendance and asked if she could come backstage and say hello. Mark Lowry and I
greeted Marsha and her partner and someone snapped a photograph of the four of
us, a picture Marsha has exploited on her Web site ever since. False reports of
what transpired at the concert have also surfaced on various Web sites so we
pulled the videotape of the concert and reviewed it. Here is exactly what
happened.
Gloria and I were celebrating our 40th anniversary that night
and we sang a number of songs that had been special to us over the years,
including, "For Those Tears I Died." I mentioned, from the platform, that the
woman who wrote that song "is here tonight." I then said that I love that song
because someone "may have seen a grownup with a Jesus that maybe is pushing you
away, that wouldn't let you in. And you were never good enough. The only Christ
I know is the Christ in that song, with His arms out very wide, saying, ‘come to
the water.’ That’s the only Christ I know -- come as you are."
We then
continued the concert without any further mention of Marsha or this song. Any
other report of this concert is simply and sadly false. I regret that this brief
exchange has apparently been used to suggest some sort of endorsement of Marsha
and her current life and work. Clearly I do not endorse or support either,
though I believe God can, and does still use this song to minister to people. I
pray for Marsha and encourage others to do the same.
Bill Gaither